#1 NEW YORK TIMES BESTSELLER • WINNER OF THE MAN BOOKER PRIZE

The “devastatingly moving” (People) first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented
Named One of Paste’s Best Novels of the Decade • Named One of the Ten Best Books of the Year by The Washington Post, USA Today, and Maureen Corrigan, NPR • One of Time’s Ten Best Novels of the Year • A New York Times Notable Book • One of O: The Oprah Magazine’s Best Books of the Year

February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body.

From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.

Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end?

“A luminous feat of generosity and humanism.”—Colson Whitehead, The New York Times Book Review

“A masterpiece.”—Zadie Smith

"Teeming with life and crackling with energy - a love song to modern Britain, to black womanhood. Follows the lives and struggles of twelve very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years. Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible."--Publisher.

SHORTLISTED FOR THE BOOKER PRIZE
LONGLISTED FOR THE SCOTIABANK GILLER PRIZE
INTERNATIONAL BESTSELLER

Margaret Atwood's dystopian masterpiece, The Handmaid's Tale, has become a modern classic--and now she brings the iconic story to a dramatic conclusion in this riveting sequel.

More than fifteen years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results.

Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third voice: a woman who wields power through the ruthless accumulation and deployment of secrets.

As Atwood unfolds The Testaments, she opens up the innermost workings of Gilead as each woman is forced to come to terms with who she is, and how far she will go for what she believes.

"The literary event of the year." --The Guardian

"The international literary event of the season." --Globe and Mail

"It's terrifying and exhilarating." --Judges of the Booker Prize 2019

Winner of the Man Booker Prize

“Everything about this novel rings true. . . . Original, funny, disarmingly oblique and unique.”—The Guardian

In an unnamed city, middle sister stands out for the wrong reasons. She reads while walking, for one. And she has been taking French night classes downtown. So when a local paramilitary known as the milkman begins pursuing her, she suddenly becomes “interesting,” the last thing she ever wanted to be. Despite middle sister’s attempts to avoid him—and to keep her mother from finding out about her maybe-boyfriend—rumors spread and the threat of violence lingers. Milkman is a story of the way inaction can have enormous repercussions, in a time when the wrong flag, wrong religion, or even a sunset can be subversive. Told with ferocious energy and sly, wicked humor, Milkman establishes Anna Burns as one of the most consequential voices of our day.

WINNER OF THE 2021 BOOKER PRIZE

A NEW YORK TIMES EDITORS' CHOICE

A modern family saga written in gorgeous prose by three-time Booker Prize-shortlisted author Damon Galgut.

Haunted by an unmet promise, the Swart family loses touch after the death of their matriarch. Adrift, the lives of the three siblings move separately through the uncharted waters of South Africa; Anton, the golden boy who bitterly resents his life's unfulfilled potential; Astrid, whose beauty is her power; and the youngest, Amor, whose life is shaped by a nebulous feeling of guilt.

Reunited by four funerals over three decades, the dwindling family reflects the atmosphere of its country--one of resentment, renewal, and, ultimately, hope. The Promise is an epic drama that unfurls against the unrelenting march of national history, sure to please current fans and attract many new ones.

"Simply: you must read it."--Claire Messud, Harper's Magazine

WINNER OF THE BOOKER PRIZE
NEW YORK TIMES BESTSELLER
FINALIST FOR THE NATIONAL BOOK AWARD

A stunning debut novel by a masterful writer telling the heartwrenching story of a young boy and his alcoholic mother, whose love is only matched by her pride.

Shuggie Bain is the unforgettable story of young Hugh "Shuggie" Bain, a sweet and lonely boy who spends his 1980s childhood in run-down public housing in Glasgow, Scotland. Thatcher's policies have put husbands and sons out of work, and the city's notorious drugs epidemic is waiting in the wings.

Shuggie's mother Agnes walks a wayward path: she is Shuggie's guiding light but a burden for him and his siblings. She dreams of a house with its own front door while she flicks through the pages of the Freemans catalogue, ordering a little happiness on credit, anything to brighten up her grey life. Married to a philandering taxi-driver husband, Agnes keeps her pride by looking good--her beehive, make-up, and pearly-white false teeth offer a glamorous image of a Glaswegian Elizabeth Taylor. But under the surface, Agnes finds increasing solace in drink, and she drains away the lion's share of each week's benefits--all the family has to live on--on cans of extra-strong lager hidden in handbags and poured into tea mugs. Agnes's older children find their own ways to get a safe distance from their mother, abandoning Shuggie to care for her as she swings between alcoholic binges and sobriety. Shuggie is meanwhile struggling to somehow become the normal boy he desperately longs to be, but everyone has realized that he is "no right," a boy with a secret that all but him can see. Agnes is supportive of her son, but her addiction has the power to eclipse everyone close to her--even her beloved Shuggie.

A heartbreaking story of addiction, sexuality, and love, Shuggie Bain is an epic portrayal of a working-class family that is rarely seen in fiction. Recalling the work of Édouard Louis, Alan Hollinghurst, Frank McCourt, and Hanya Yanagihara, it is a blistering debut by a brilliant novelist who has a powerful and important story to tell.

Winner of the 2021 Caldecott Medal
#1 New York Times Bestseller

Inspired by the many Indigenous-led movements across North America, We Are Water Protectors issues an urgent rallying cry to safeguard the Earth’s water from harm and corruption—a bold and lyrical picture book written by Carole Lindstrom and vibrantly illustrated by Michaela Goade.

Water is the first medicine.
It affects and connects us all . . .

When a black snake threatens to destroy the Earth
And poison her people’s water, one young water protector
Takes a stand to defend Earth’s most sacred resource.

A New York Times bestseller

In this triumphant memoir, Carl Bernstein, the Pulitzer Prize-winning coauthor of All the President’s Men and pioneer of investigative journalism, recalls his beginnings as an audacious teenage newspaper reporter in the nation’s capital—a winning tale of scrapes, gumshoeing, and American bedlam.

In 1960, Bernstein was just a sixteen-year-old at considerable risk of failing to graduate high school. Inquisitive, self-taught—and, yes, truant—Bernstein landed a job as a copyboy at the Evening Star, the afternoon paper in Washington. By nineteen, he was a reporter there.

In Chasing History: A Kid in the Newsroom, Bernstein recalls the origins of his storied journalistic career as he chronicles the Kennedy era, the swelling civil rights movement, and a slew of grisly crimes. He spins a buoyant, frenetic account of educating himself in what Bob Woodward describes as “the genius of perpetual engagement.”

Funny and exhilarating, poignant and frank, Chasing History is an extraordinary memoir of life on the cusp of adulthood for a determined young man with a dogged commitment to the truth.

NATIONAL BESTSELLER

The Mystery of Right and Wrong is a masterwork from one of the country’s most critically acclaimed and beloved writers that is both compulsively readable and heartstopping in the vital truth it unfolds. In a novel that grapples with sexual abuse, male violence and madness, Wayne Johnston reveals haunting family secrets he’s kept for more than thirty years.

Wade Jackson, a young man from a Newfoundland outport, wants to be a writer. In the university library in St. John’s, where he goes every day to absorb the great books of the world, he encounters the fascinating, South African-born Rachel van Hout, and soon they are lovers.

Rachel is the youngest of four van Hout daughters. Her father, Hans, lived in Amsterdam during the Second World War, and says he was in the Dutch resistance. When the war ended, he emigrated to South Africa, where he met his wife, Myra, had his daughters and worked as an accounting professor at the University of Cape Town. Something happened, though, that caused him to uproot his family and move them all, unhappily, to Newfoundland.

Wade soon discovers that Rachel and her sisters are each in their own way a wounded soul. The oldest, Gloria, has a string of broken marriages behind her. Carmen is addicted to every drug her Afrikaner dealer husband, Fritz, can lay his hands on. Bethany, the most sardonic of the sisters, is fighting a losing battle with anorexia. And then there is Rachel, who reads The Diary of Anne Frank obsessively, and diarizes her days in a secret language of her own invention, writing to the point of breakdown and beyond—an obsession that has deeper and more disturbing roots than Wade could ever have imagined.

Confronting the central mystery of his character Rachel’s life—and his own—Wayne Johnston has created a tour-de-force that pulls the reader toward a conclusion both inevitable and impossible to foresee. As he writes, “The Mystery of Right and Wrong is a memorialization of the lost, the missing women of the world, and of my world. I see it not as a dark book, but as one that sheds light—a lot of light—on things that, once illuminated, lose their power to distort the truth.”

“[Roy’s] mastery of detail ties an intimate domestic drama to national history, offering a portrait of one family’s troubles with desire and loss that speaks to the more universal struggles for personal and political freedom.” —Time

From the Man Booker Prize-nominated author of Sleeping on Jupiter, The Folded Earth, and An Atlas of Impossible Longing, a poignant and sweeping novel set in India during World War II and the present-day about a son’s quest to uncover the truth about his mother.

In my childhood, I was known as the boy whose mother had run off with an Englishman. The man was in fact German, but in small‑town India in those days, all white foreigners were largely thought of as British.

So begins the story of Myshkin and his mother, Gayatri, a rebellious, alluring artist who abandons parenthood and marriage to follow her primal desire for freedom.

Though freedom may be stirring in the air of India, across the world the Nazis have risen to power in Germany. At this point of crisis, a German artist from Gayatri’s past seeks her out. His arrival ignites passions she has long been forced to suppress.

What follows is her life as pieced together by her son, a journey that takes him through India and Dutch‑held Bali. Excavating the roots of the world in which he was abandoned, he comes to understand his long‑lost mother, and the connections between strife at home and a war‑torn universe overtaken by patriotism.

With her signature “precise and poetic” (The Independent) writing, Anuradha Roy’s All the Lives We Never Lived is a spellbinding and emotionally powerful saga about family, identity, and love.