For fans of Yellowstone, the Roaring 20s in America's Wild West come to vivid life in this inspiring saga of love, hope and endurance.

1920s, Blue Moon, Montana. The small cattle town is alight with the excitement of cars, telephones, and airplanes. But as new inventions and new roles for women collide with Prohibition and the rising battle between gangsters and the FBI, Blue Moon finds itself—and some of its most infamous residents and powerful families—at a crossroads, and in battles of their own, between hearts and minds . . .

Heir to the Hollister Ranch on his mother’s side, Mason Dollarhide is back home after a five-year prison sentence for smuggling bootleg liquor. Cynical and daring, he’s already up to his old tricks, having his goods trafficked to him by plane. . . . Until the pilot is injured in a crash and captured by federal agents.

Ruby Weaver learned to fly from her smuggler father. To keep him out of prison, she agrees to take over his route and go undercover to help the Feds break up a bootlegging ring. Mason is only one part of that large operation, but he’s the rugged, rebellious, and tantalizingly irreverent part that makes an impression. Against her better judgement, Ruby finds herself falling for him, fighting an attraction that could jeopardize them both, while harboring a secret that could destroy any hope of a future together . . .

Mason has never met a woman quite like Ruby. Not only is she brave and beautiful, but she somehow understands his ways—and may even inspire him to change them. The first step will be trusting her enough to open his heart . . .

While the fire between Ruby and Mason smolders, other star-crossed Blue Moon romances blaze, as old family rivalries between the Dollarhides and the Calders continue. But when tables unexpectedly turn, some dreams may go up in smoke . . .

The epic tale of the settling of the American West comes to vivid life in this inspiring saga of love, hope, and endurance.

New York Times bestselling author Nalini Singh takes us into a family dark with shadowy secrets, as the world of the Psy teeters on the edge of a final catastrophic collapse. . . .
 
Daughter of two ruthless high-Gradient telepaths, Auden Scott is not the child her Psy parents wanted or expected, even before her brain injury. Her thoughts are scattered, her memories fuzzy—or just terrifyingly blank. The only thing she knows for certain is that she must protect her unborn baby . . . a baby she has no recollection of conceiving and who draws an unnerving depth of interest from her dead mother’s closest associates.
 
Leopard alpha Remi Denier is a man driven by the primal instinct to protect. Protect his pack, protect his allies . . . and protect the mysterious woman who has become a most unlikely neighbor. With eerie eyes that see too much and a scent that alters in ways disturbing and impossible, Auden Scott is the enemy . . . but nothing about this strange Psy is what it seems, and Remi’s feline heart is as fascinated by her as his human half.
 
Then Auden asks Remi to help her shatter the wall of secrets that is the Scott bloodline. What they unearth will reveal a nightmare beyond imagination. This time, the battle is to the death. . . .

«De l'autre côté de la vitre, sur le quai, Franco et les enfants m'attendent, emmitouflés dans leur manteau d'hiver. Je leur souffle un baiser, qui se perd dans les rafales poudreuses. On pourrait croire que, plutôt que de revenir, je m'apprête à les quitter. »Pour comprendre cet étourdissant mirage qui voile son présent, Mélisa se télescope dans cent fragments de son passé, kaléidoscope de sexe, de religion, d'argent, de violences; de moments vécus ou refoulés dont on ne sait plus toujours très bien distinguer lesquels sont vrais et lesquels sont faux.Car c'est ainsi que l'on devient adulte : à grands coups d'illusions, de vérités transformées et de mensonges à demi-avoués.

This hilarious meta picture book from the author of Butterflies Are Pretty . . . Gross! shows us that ants aren't so bad. In fact, they're pretty amazing, and with their humongous families, they might turn your picnic into a party!

Nothing can ruin a picnic faster than a bunch of ants. It's a good thing there are no ants in this book . . . well, maybe there's only one. Or two. . . . Or ten??

Maybe it's not so bad. Ants are kind of cool, after all — especially the ones with amazing butts, like the Acrobat Ant that waves its back end around to scare off enemies. Or the Slender Leaf Ant that can glide through the air. Or the Dinosaur Ant, which is the biggest ant in the world! Okay, so a picnic with ants is actually lots of fun!

But what if an anteater also wants to join the picnic?

Learn how a young girl who lived on a Christmas tree farm grew up to become one of the most celebrated musical artists of the twenty-first century in this addition to the #1 New York Times bestselling series.

Taylor Swift always knew she wanted to be a country music artist, so at age thirteen, she convinced her parents to move their family out of Pennsylvania to Nashville.

As a singer, songwriter, and guitarist, Taylor wrote songs about teenage heartbreak and fitting in with her peers, and she performed these and other tunes at open mic nights and karaoke events. Breaking into the music industry took longer than she expected because record executives thought there was no place in country music for her songs. But Taylor was fearless and proved them wrong.

Since the release of her self-titled debut album in 2006, Taylor Swift has dominated the music charts, reinvented her sound, won numerous awards, shaken off public criticism, and spoken up for herself and others.

Whether you're a lifelong Swiftie or someone who just loves learning about musicians, this enchanting book will teach you all about the experiences that helped Taylor Swift become the successful superstar many kids and adults looks up to.

" From daughter of musical visionary Frank Zappa, Moon Unit Zappa, comes a memoir of growing up in her unconventional household in 1970s Los Angeles, coming of age as part of the MTV generation in the 1980s as the 'Valley Girl, ' and finding herself after losing her father, then her mother, and the fracturing of her longest relationships. I got my first journal when I was five, for Christmas, then every year after I'd get a new one. They were hardbound in black leather with gold embellishments on the cover and along the paper edges. So fancy. These books felt important. I believed I had a responsibility to do excellent work in them, to match their external beauty and honor the dead trees I held in my hands, a concept my mother had recently illuminated along with explaining hamburgers were deceased cows. Plus, the diaries were from Gail and Frank, my mother and my father, with the inscription to me in his handwriting, so I put undue pressure on myself to turn these blank nothings into weighty somethings, as I saw my idol dad doing on his large, butter-colored music paper. When I wasn't writing short stories about my camels T'mershi Duween and Sinini, or about aliens or ballerinas or nuns, or alien ballerina nuns, I'd report on the happenings in the house or the world at large. I was political and wrote a letter to President Ford to get him to stop men from clubbing baby harp seals. I was ambitious and practiced signing my autograph in various handwriting styles. I was complimentary and wrote a letter to Tina Turner to let her know she is almost as good a dancer as me. I was boy crazy for Shawn Cassidy and wrote his name everywhere, followed by pages of scrawling my new name 'Moon Unit Cassidy' in loopy cursive. I used my journals like a secret best friend I could tell anything to: 'I'm sad. I wish my dad would take me with him to Europe.' When I still lived at home and had no privacy, I'd write in code about really secret stuff so I had somewhere safe to be the real me, to vent about my feelings with impunity. As time went on, I loosened the reins on my dad -- comparing and perfectionism in my journals. And in life. I had no choice. Rightly or wrongly, I believed I would never be as good as my dad, so I had to learn to live with plain old me. For Moon Unit Zappa, processing a life so unique, so punctuated by the whims of creative genius, the tastes of popular culture, the calculus of celebrity and the nature of fractured love has at times been eviscerating, at others, illuminating. Yes, this is a book about growing up in the shadows of Frank Zappa, in a sexually free, but also dysfunctional world in 1970s LA. And as we careen into the 1980s, the style and the music and the tone changes -- but Moon remains the constant, trying to find herself in a very confusing, everchanging equation -- that of her family and the relationship with fame."--

The Instant New York Times Bestseller

“Engaging and entertaining… a glimpse of the economy of the future.” —Tim Wu, New York Times Book Review

From the New York Times bestselling author of The Signal and the Noise, the definitive guide to our era of risk—and the players raising the stakes
 
In the bestselling The Signal and the Noise, Nate Silver showed how forecasting would define the age of Big Data. Now, in this timely and riveting new book, Silver investigates “the River,” the community of like-minded people whose mastery of risk allows them to shape—and dominate—so much of modern life.

These professional risk-takers—poker players and hedge fund managers, crypto true believers and blue-chip art collectors—can teach us much about navigating the uncertainty of the twenty-first century. By immersing himself in the worlds of Doyle Brunson, Peter Thiel, Sam Bankman-Fried, Sam Altman, and many others, Silver offers insight into a range of issues that affect us all, from the frontiers of finance to the future of AI.

Most of us don’t have traits commonly found in the River: high tolerance for risk, appreciation of uncertainty, affinity for numbers—paired with an instinctive distrust of conventional wisdom and a competitive drive so intense it can border on irrational. For those in the River, complexity is baked in, and the work is how to navigate it. People in the River have increasing amounts of wealth and power in our society, and understanding their mindset—and the flaws in their thinking— is key to understanding what drives technology and the global economy today.

Taking us behind the scenes from casinos to venture capital firms, and from the FTX inner sanctum to meetings of the effective altruism movement, On the Edge is a deeply reported, all-access journey into a hidden world of power bro­kers and risk-takers.

This heartfelt and quirky young adult fantasy debut follows a young outcast on a journey of transformation . . . into a robot vacuum cleaner.

A fresh twist on Japanese mythology that doubles as a deep, honest dive into mental health.

“I wish to become one of those round vacuum cleaner robots.” That’s what Machi prays for at the altar of Japanese goddess Benzaiten. Ever since her two best friends decided they want nothing to do with her, Machi hasn’t been able to speak. After months of online school and a carousel of therapists, she can no longer see the point of being human. She doesn’t expect Benzaiten to hear her prayer, much less offer a different prayer on Machi’s behalf—that Machi  discover the beauty of humanity, ultimately restoring her to her previous self.

Benzaiten is enamored with the human world and, as she’s the goddess of love, humanity is enamored right back. Being second-best once again isn’t helping Machi move past her trauma, and with each adventure they share, Machi is reminded of everything she’s lost. It isn’t until Machi starts interacting with the souls of the dead—which tends to happen around Benzaiten—that she starts to rediscover her place among the living.

From an author to watch, The Lost Souls of Benzaiten is a highly original debut about the nature of happiness and the potential for healing.

Jay Ellis, star of HBO’s Insecure, tells the story of growing up with an imaginary best friend you will never forget—part Dwayne Wayne from A Different World, part Will Smith from The Fresh Prince of Bel-Air—in this hilarious, vulnerable memoir.

“So funny, poignant, and personal. I loved this and you will, too.”—Mindy Kaling, author of Why Not Me? and Nothing Like I Imagined

What to do when you’re the perpetual new kid, only child, and military brat hustling school to school each year and everyone’s looking to you for answers? Make some shit up, of course! And a young Jay Ellis does just that, with help from his imaginary friend, Mikey.

A testament to the importance of invention, trusting oneself, and making space for creativity, Did Everyone Have an Imaginary Friend (or Just Me)? is a memoir of a kid who confided in his imaginary sidekick to navigate parallel pop culture universes (like watching Fresh Prince alongside John Hughes movies or listening to Ja Rule and Dave Matthews) to a lifetime of birthday disappointment (being a Christmas-season Capricorn will do that to you) and hoop dreams gone bad. Mikey also guides Ellis through tragedies, like losing his teenage cousin in a mistaken-target drive-by and the shame and fear of being pulled over by cops almost a dozen times the year he got his driver’s license.

As his imaginary friend morphs into adult consciousness, Ellis charts an unforgettable story of looking inward to solve to some of life’s biggest (and smallest) challenges, told in the roast-you-with-love voice of your closest homey.

With striking prose and inspired by real wrongful conviction cases, this layered takedown of the criminal justice system follows one woman’s quest for answers as the fate of an innocent man hangs in the balance, perfect for fans of S. A. Cosby.

Denver, 1992. Claudette Cooper and Moses King have been failed by the justice system. Claudette was sexually assaulted and brutally attacked—blinded by the perpetrator, she’s not able to identify him until she has a dream about the attack where she sees the face of Moses King. When Claudette testifies that she’s identified her attacker from her dream, Moses is wrongfully convicted and sent to prison for the crime.

Lawyer Liza Brown has seen firsthand the failings and shortcomings of the justice system—her father also suffered the injustice of a wrongful conviction. As she’s working at a nonprofit to free those who have been wrongfully imprisoned, Moses reaches out to her. Liza sees the obvious cracks in the evidence against Moses, and when he confesses that he knew her father, she’s determined to help. Recruiting her old friend Eli Stone to assist, Liza sets out to prove Moses’s innocence. But Eli is dealing with demons of his own: corrupt cops are targeting Black residents of Denver, and when his nephew is beaten by the police, Eli doubles down on his efforts to expose them.

Frustrated, Liza turns to Moses’s accuser, Claudette, for help. But Claudette is hiding a dark secret, and as tensions in Denver rise, the city erupts in protests and riots. This rich, impactful novel paints a portrait not only of injustice and desperation—but of hope.